ISSN 1226-8682

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Pages : 81-101

DOI : http://dx.doi.org/10.21559/aellk.2023.49.3.005

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Abstract

Jeong, Heeyeon. ¡°Why New York and Zombies?¡ªColson Whitehead¡¯s Zone One as a Critical Engagement of National Narratives.¡± Studies in English Language & Literature 49.3 (2023): 81-101. This paper argues that Colson Whitehead¡¯s Postapocalyptic zombie fiction Zone One (2011) critically responds to prevailing national narratives in early twenty-first-century America. Set in a post-disaster Manhattan overrun by plagues and zombies, the fiction portrays a city in need to rebuilding. ¡®Stragglers,¡¯ a unique kind of zombie, underscores an America that remains fundamentally unchanged post-disaster, blurring the line between these creatures and the survivors. Whitehead¡¯s Zone One directly engages with engages two predominant American narratives from the 2010s. The first addresses America¡¯s reconstruction narrative, shaped heavily by the Bush administration¡¯s emphasis on the ¡®homeland.¡¯ The second examines the post-racial discourse that became prominent during Obama¡¯s presidency. In Zone One, New York stands as a metaphor for America, while zombies symbolize the marginalized African-Americans. In concluding, Whitehead¡¯s fiction offers a twofold critique: it challenges the Bush administration¡¯s handling of the post-9/11 and American exceptionalism, and it explores the optimistic views on race during the Obama era. (Pusan National University)

Keywords

# Colson Whitehead # Zone One # New York # National Narrative # Afro-pessimism

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